Love DAD - My Hero - My ATM
Love DAD - My Hero - My ATM
My new Canon M50 Camera and my shoot out was for Ahmedabad Heritage Building in Old City of Ahmedabad. I enjoyed selecting model Canon M50 by studying various camera review sites like https://www.imaging-resource.com ; https://www.dpreview.com .
We had two brands in mind, Nikon and Canon. After a study and with help of my father I opted for Canon brand because of its quality lenses and New Digital Sensor.
Canon M50 was handy which I liked most for convenience and is only camera having 4K video recording and mirror less shooting.
Celebrating World Yoga Day at Ellisbridge Gymkhana
Makar Sankrati or Uttrayan as we call it. is a festival of kites. It is celebrated each year on 14th of January. All over the country people celebrate it with kites, food, music and what not. As for me, I don't know how to fly kites, so each year I celebrate it with dozens of colourful gas balloons. This is one here is a picture of me, from the day of Uttrayan.
In days of yore, it was noticed that pieces of art which were considered to be examples of true perfection had the golden ratio and greatly influenced people. So what is this ‘golden ratio’? In fact it is the division of quantity into two unequal parts whereas the smaller part refers to the bigger exactly as the bigger part refers to the whole quantity. Where was it used? How can we benefit from it now? Find out in our new video!
Lato is a sanserif typeface family designed in the Summer 2010 by Warsaw-based designer Łukasz Dziedzic (“Lato” means “Summer” in Polish). In December 2010 the Lato family was published under the open-source Open Font License by his foundry tyPoland, with support from Google.
In 2013 – 2014, the family was greatly extended to cover 3000+ glyphs per style. The Lato 2.010 family now supports 100+ Latin-based languages, 50+ Cyrillic-based languages as well as Greek and IPA phonetics. In the process, the metrics and kerning of the family have been revised and four additional weights were created.
In the last ten or so years, during which Łukasz has been designing type, most of his projects were rooted in a particular design task that he needed to solve. With Lato, it was no different. Originally, the family was conceived as a set of corporate fonts for a large client — who in the end decided to go in different stylistic direction, so the family became available for a public release.
When working on Lato, Łukasz tried to carefully balance some potentially conflicting priorities. He wanted to create a typeface that would seem quite “transparent” when used in body text but would display some original traits when used in larger sizes. He used classical proportions (particularly visible in the uppercase) to give the letterforms familiar harmony and elegance. At the same time, he created a sleek sanserif look, which makes evident the fact that Lato was designed in 2010 — even though it does not follow any current trend.
You can learn about this font at http://www.latofonts.com/ and download the fonts from the website.
Lato fonts are free to use on desktop and on web.